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Alvaro Siza-安陽展示館 Anyang Pavilion, South Korea

欣傳媒/ 2014.10.02 00:00
蘇琨峰

編譯/蘇琨峰 圖文/Calros Castanheira Architects Firm

對於建築大師Alvaro Siza在南韓安陽藝術公園(Anyang Art Park)中所設計的安陽文化中心(Anyang Pavilion),以簡潔線條的清水模造型座落山林之中,更顯沉靜。Siza大師的合作夥伴建築師Calros Castanheira則以時間區段的方式來描述這件作品的設計過程。

2005年2月時團隊突然接到一份緊急的邀約。業主打算請Alvaro Siza在一座小鎮的自然公園入口處興建一處四周環繞著美麗山脈、多功能的公眾文化中心。3月時前往實地堪查並收集相關資料,而在初步的簡報中只能得知文化中心裡會有一間小型辦公室、或許是給警察駐點使用以及廁所。

在當地接待的是一位已與我相識20年,曾在葡萄牙工作過現已在韓國執業的韓國籍建築師。一到當地時便感受到一種急迫感,如同是這國家與人民慣有的節奏一般,雖然還有時間規劃專案,但一但決定後便需緊急動工,相信文化中心也是為了這次有著有許多藝術家和建築師參與的2005年的安陽公共藝術計劃(Anyang Public Art Project 2005)。在參與者們全神貫注的氣氛下,我們開始收集資料、拍照尋找地圖及文件等等,也探索著在韓戰中幾近全面被破壞的建築物的原貌,以及現有建築中的價值。

基地位於山中的一處等待被創造的開放空間,雖然一些設計上的妥協已事先談定,但或許還是可參與其中一些設計上的過程,甚至改造些現存的建築特徵。回到葡萄牙後Siza便開始著手進行研究並開始些試驗性的手繪稿,並逐漸地在模型中規劃出當初簡報中所需空間解決方案,而最後將需改變的部份及完成的模型及3D繪圖等帶回韓國與業主討論。

7月時舉行了與鎮長、相關議長、技術人員、當地建築師等等的討論會並在會議中展示了Siza的設計構想,並依需要改變了些設計,像是需加大公共廁所空間等等。最後專案不但獲得正式通過,同時也感謝業主對於品質上的要求,而在考量興建時程的緊急性上,工程也需趕緊動工並考慮到雪季即將來臨的問題。在過程中,建築物適時地做了些系統上的修改。施工圖中呈現出正確的尺寸與精確度,並符合著Siza所繪手稿的精神;而在手稿中所看見的,則是施工中精確的方向。透過網路科技之賜,也讓彼此可遠距離地修改所需資訊並觀看現場施工的結果。

11月時再度回到韓國參與安養藝術公園的開幕及觀賞新落成的安陽文化中心,在精細的施工法下讓文化中心有著幾乎為白色的清水模外牆,並讓人期待著光影下的文化中心。這次的作品不但在急迫的時間內順利完成,更創造出一件與地景相結合的精采作品。

也許是因為急迫的設計時程,公園中產生了許多的臨時性、並非是精心製做的作品,這現象對我來說也是種驚奇,但我相信最好的作品會永世傳承,且不會被遺忘。此外,在回到葡萄牙後雙方仍以即時的方式進行著文化中心下一階段的修改工程,像是內部裝修等等。

2006年7月時再度回到韓國欣賞最後完成的作品。雖然之前已先看過業主給的建物照片,但在現場時仍是覺得一陣感動與驚喜。在不規則的外觀下,文化中心不僅能展現出它內向沉靜的一面,也能在未來感的外型中呈現出活潑感,以及其與眾不同的造型與材質。在Siza的完美主義下,一些小地方及基礎的必要性修改仍會繼續進行;而在業主及市政府的請求下,文化中心也以Anyang Álvaro Siza Hall為名,感謝這位建築大師在當地留下精采的建築作品。

【延伸閱讀】

Alvaro Siza官網

http://alvarosizavieira.com/

Calros Castanheira事務所

http://www.carloscastanheira.pt/en/

更多建築旅遊資訊,請上【建築行腳】專輯

http://www.xinmedia.com/n/featurestory_list.aspx?collectionid=111

更多國外建築脈動請上【國際脈動】

http://solomo.xinmedia.com/archi/news/International

==================

Profile

蘇琨峰/Andre

一隻喜愛新事物也對舊事物固執的牡羊。台北工專土木工程科、雲林科技大學營建工程結構組畢業,工作後決定離職前往澳洲再度充實自己並一圓留學夢,畢業於墨爾本大學經濟與商業研究所,主修商業與資訊管理。喜歡看建築、旅行探索、研究攝影、愛打網球、沉溺爵士樂當了爵士樂團薩克斯風手。目前為《欣建築/國際脈動》編譯、文字記者、辦理欣建築相關活動及國際領隊。

Anyang Pavilion, South Korea/Alvaro Siza

February 2005: the invitation, urgent and unexpected. A small town of 300.000 inhabitants had initiated the development of a cultural centre at the entrance to a natural park, located amidst beautiful mountains. As an addition, but central to the composition a multifunction pavilion open to one and all would be necessary.  The name of Álvaro Siza was mentioned and the invitation arrived, hand delivered to him in Porto.

March 2005: The urgency was real and I went directly to the location to survey and accumulate the information necessary for the architect’s work.  As the brief was sparse, including a multifunctional space,  a small office, perhaps for the police, and toilets for use by people visiting the park and also for those staying around the nearby square and restaurants.

On my arrival, Jun, a corean architect who had studied abroad and worked in Porto but was now established in Seul and a was a friend of mine for 20 years, was waiting for me. Our friendship and common profession created a necessary link. On arrival I feel the presence of urgency; the urgency of urgency, because the country is like that, like the people and their lives. There’s time to decide, but once the decision is made urgency begins. There is great euphoria for the APAP2005 - Anyang Public Art Project 2005, many artists and some architects have already confirmed their participation. One senses a certain preoccupation, is it that so many invited participants of so many different nationalities will understand the urgency? With our own calm we gather information, take photographs, request maps, search for documentation. We investigate what kind of architecture had been produced before its almost complete destruction by the wars and identify current architecture of merit, we search, our friends help us and show us examples.

The location is an open space made in the mountain, a square to be created. There are already compromises made, but maybe we can get involved and even eliminate some of the existing features, we will see.

Back to Porto and the West, I try to transmit the experience the happenings, the tastes and the background for the work. Siza receives, understands, questions and interprets like no one else. The first work session produces some sketches, still tentative and interpretive. The second session supported by a site mode becomes more precise, the form begins to take shape with the resolution of the brief. Other sessions follow, typically on Saturdays and Sundays. The atmosphere is great. Models are made, the scale is brought up, and further sketches indicate changes to the plans, models and 3D drawings. We must go back to Korea and make a presentation to the Client.

July 2005: on arrival we are informed that the presentation will be at 17.00h

At 17.00h the meeting begins; the mayor of the town, relevant councillors, technical council staff, some local architects and other guests. A short presentation of Álvaro Siza’s work, presentation of the proposal, some translation, some intelligent questions, a requirement to increase the size of the public toilets element, but nothing that would prevent the formal approval of the proposal, for of course we are technicians and will make the necessary changes as requested.

Thanks for the quality, but also for responding to the urgency. The works must be started, it is necessary to build, it is urgent and what about the snow...19.00h a dinner to confirm the satisfaction with the project, its acceptance and official approval.

On returning, the process, although identical, is different, as we move on to working drawings. The form is adapted to the small programmatic alterations required. The drawings gain scale and rigour but always following the sketch and the sketch follows the rigour required by construction.

The works begin and the drawing goes on. The Internet allows for exchange of information but also allows us to se the building growing, although at a distance.

Despite the urgency, the pleasure in seeing the building arise, without bureaucracy is a pleasure, even because is a different reality.

November 2005: back again for the opening of the park and to visit the work. The basic volume is complete in grey concrete so fine it’s almost white, allowing one to anticipate the quality of light. A perfect execution, in the context of urgency. The place was made for this volume and the volume grows out of it.Of the rest of the square, not much was left to save, we’re left with our half.

The park, a vanity fair is pleasant; unpleasant, and surprising to me is their ability to build. Very little is well done, a lot has a temporary character, almost throwaway. The best will last, time will not forgive.

We discuss infra-structure, services, finishes, materials, we prepare for the next phase, which is the finishes. 

In Porto we follow the completion of the works, almost in real time, with complicity

July 2006: Back in Korea, our surprise is great, despite the exchange of photos. Entering the finished space is sublime, as is the light. The space is not static and when we move it sings as Siza would put it. It is introverted when it needs to be, extroverted in its perspectives, its routes, in its volumetric form and the materials. 

It rains and rains, it’s the monsoon, it dramatizes things a bit, but it’s fine.

Despite the necessary corrections, which are few and fundamental, such as a work by Álvaro Siza requires. And we have the exterior to get to yet.

The Client, the city, respectfully makes the request and the pavilion takes the name of Anyang Álvaro Siza Hall. Already in use the inauguration will take place soon.

【More Information】

Alvaro Siza

http://alvarosizavieira.com/

Calros Castanheira Architect Firm

http://www.carloscastanheira.pt/en/

More architecture tour information, here you go【Architecture Footprint】

http://www.xinmedia.com/n/featurestory_list.aspx?collectionid=111

More architecture works abroad, here you go 【International】

http://solomo.xinmedia.com/archi/news/International

====================

Profile

Andre

A male Aries, loves learning new things and being nostalgic to old things. Academic background: Bachelor of Construction Engineering Department at National YunTech University, Taiwan and Diploma of Graduate School of Business and Economics at University of Melbourne. With character of a little introvert, addicting to architecture, photography, tennis, Jazz music and saxophone and being the translator of Xin Architecture/ International, reporter, holder of activities and international tour leader.

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